See You In the Morning by Mairead Case and Lemon Cotton Candy Sunset by Richard Edwards

I don’t know about you, but I’ve been busy lately. I haven’t had time to sit down and enjoy anything for a while, so I read lit mags on the ‘L’ and listen to music on my phone. When I’m in transit, I don’t always get the chance to process every crafted detail of media I’m ingesting. With these pieces, I had no choice but to put everything on hold and focus on the art.

When Richard Edwards makes an album, he always advises you to “listen to it loud.” When Lemon Cotton Candy Sunset arrived on Tuesday, I ran home to play it and it hasn’t been off my record player since. The Margot and the Nuclear So & So’s frontman’s first solo album is the result of the aftermath of his divorce and a stomach ailment that caused the cancellation of a sold-out Margot tour. Richards doesn’t deviate from his past work, but this album is solo; it’s truly his creation. His instrumentals are more orchestral than his previous work, but his lyrics are tight as ever, yet abstract. I sat down and binged on lines like:

Come to see me here in Chicago

I’ll pick you up from Logan Square station

Come to see me down in the ghetto

And I’ll break my brain all over you again.

- from “Lemon”

See You In the Morning by Mairead Case is a lucid dream in the real world. Case’s unnamed narrator doesn’t hold back in the way she sees the world. The story is simple; the ambiguous narrator describes the world around her as she navigates school, work, her friends, and her own sexuality. The prose manages to be free and ambient without coming off as twee or sentimental. As I sat down to read, I was in the narrator’s view of the world, and happily forced to accept it.

These are works that demand your attention. You have no choice but to sit down and take in the entirety of the artists’ work.

LEMON COTTON CANDY SUNSET is out 3/31 from Joyful Noise Records.